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Sex and nudity are the ultimate forms of vulnerability in some sense, and to share that on screen brings it to the next level. It was empowering yet emotionally challenging to be so open and vulnerable for the video. Some of the things you say and do are really personal and intimate, how did that feel? I suspect they cast me because we had a great conversation about feminism and transcending the dynamic of heteronormative relationships at a mutual friend's brunch - but I'm not entirely sure. I was really intrigued by and drawn to them. I initially met Jules and Jane at the cafe where I work. Marketing budget be damned, this is real fine television.What was the casting process for you to be in the film? No, The Outs is a story that is so small, specific and excruciatingly accurate that it pegs both the humor and profundity of relationships. There are times when we were looking to get the show on to a cable network and it felt like we’d have to blow it out in a way that wouldn’t be honest to the show and add a lot of characters and story that wasn’t really the show. “We’re not angling to get picked up by anyone else,” Goldman says. It has since been picked up by HBO and is being turned into a cable series. High Maintenance, the first show Vimeo funded, adds to those high expectations. “It’s kind of a tricky thing because you want to be consistent with the way you did it the first time, but you want to be able to go further.” “There is so much more pressure with this season because you know the audience is going to be greater,” says Sasha Winters. But I think there’s something about letting it stew a bit and watching them as they drop.”īut the biggest effect of Vimeo’s intervention is that expectations are higher the second go-round. “I realize that for the life of the show, people will be bingeing them, because once it all comes out, it’s just out there. “I feel like if you’re going to, you should write it that way, and these weren’t written that way,” Goldman says. The six episodes of season two will be available at a rate of one a week.
GAY MEN MAKING OUT VIMEO SERIES
Vimeo takes a different approach to releasing its content, selling its series on a pay-per-view model so that viewers only have to pony up for what they want to see rather than pay for an entire subscription. We shot so quickly there was no time to dabble.” “So last season you could see the episode and realize what Adam was trying to do. “The first season we took almost a year to make, and this one we shot in six weeks and it was all out of order,” says Hunter Canning, who plays Jack. It also changed the way the show was filmed.
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While the first season was financed mostly through Kickstarter and other means, Vimeo footed the bill for season two, upping the budget considerably (though Goldman wouldn’t say by how much). However, the production was much different the second time around.
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“I think this is more like a sequel to a movie than another season of a TV show, because I don’t think either of these are the definitive stories of these people’s lives – I think it’s just two separate times in their lives,” Goldman says. Not much has changed since the original six episodes (and a Hanukah special). Mitchell is in a committed relationship with a cute chef and working at a dating website, Oona is a social media star with a book out, and Jack (Hunter Canning), Mitchell’s ex, is trying to make a long-distance relationship work with his boyfriend Paul (Tommy Heleringer), better known to fans of season one as “Scruffy”. The second season of The Outs picks up about three years after the last one wrapped (and since the last episode premiered in 2012, it’s about the same amount of time the show has been gone).
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Though there are some wacky happenings here and there, it is mostly about young people and their friendships, insecurities, dead-end jobs, and striving to make sense of it all while still making the rent. What The Outs always has been and continues to be in its second season, is grounded, real and human. That makes it fundamentally something that The Outs isn’t striving to be.” “ is more like Curb Your Enthusiasm, where the heart of the show is a little cringey and heightened. “I think the shows share a milieu, but that’s probably where it ends,” Goldman says of the inevitable comparisons to Girls.